23 Mar

ABOUT: Kgetsa Mamabolo

Kgetsa is a talented, gifted, versatile and multilingual artist who enjoys the ability to captukgetsare the hearts of his audience through poetry. He has an electrifying stage performance of the highest standard.  He normally performs at corporate events, offering poetry on a range of topics to suit the audience.

Kgetsa is a member Penpals Poets, a group of performing poets committed using poetry as a medium to educate, entertain and inform. Their style has been described by their audience as a prolific and compelling, engaging different audiences in the themes they explore.

Kgetsa has shared the stage with the biggest names in poetry namely:  Poet Laureate Prof Keorapetse Kgositsile, David wa Maahlamela, Mak Manaka and Afurakan. to name a few. He has performed for the former President of South Africa, Thabo Mbeki, the head of the UN Women, Phumzile Mlambo-Nqcuka, and Vice-Chancellor of the University of South Africa, Mandla Makhanya amongst many others.

Kgetsa’s poem, My African National, Corruption is featured in The #Coinage Book One and explores the current political climate in post-apartheid South Africa.

 

Kgetsa is on Facebook and Instagram

15 Oct

ABOUT: Wanda Verster

img_coinage-wvjpgWanda Verster is an architect, an academic and a writer (in training). She lives in Bloemfontein and is deeply connected to this strange central town that tries to be a city. She developed a love for stories through the influence of her Grandparents, who loved history, her mother who read to her from an early age and her father who stocked their house with great literary works.

Wanda is published as an academic writer but this is the first fiction that has been accepted for publication. She has always had a passion for the written word and has been writing short stories since her school days. Her training as a writer was strictly academic, through her studies in architecture and Art history. As with most lecturers, a bit of formality always sneaks in when she tries her hand at writing anything other than fact-driven arguments.

Her published work is limited to the academic world. She has written research articles for the South African Journal of Art history and has contributed to architectural publications.

She writes sporadically between grading assignments and submitting plans and aspires to have more creative writing published in future. She does have half a novel on a hard drive and a few loose ideas for other essays and short stories, but her current writing project is sadly not a creative work. It is the time-consuming painful slog of a Ph.D
. All Wanda’s creative writing is fuelled by vast amounts of coffee, procrastination and a desire for a creative outlet.

Footnote was inspired by the lecturers that shaped her career, a few imagined scenes and a love for the world of academics.

18 Aug

ABOUT: Mandisi Nkomo

Profile PictureMandisi is a drummer and composer, who moonlights as a writer. He currently resides in Cape Town, South Africa, and spends most of his time beating drums and jump-starting his career as a songwriter. While he is more focused on his music career, he remains incurably addicted to writing and, due to this affliction, Mandisi skulks off, from time to time, and writes until he has had his fix.

King Charlatan, his poem featured in The #Coinage book One, is a highly-charged commentary on the morally ambiguous political parties in South Africa. The titled is derived from a notable and favourite novel of Mandisi’s by China Miéville, King Rat.

Mandisi’s fictional pieces haven previously been published in Sable LitMag and AfroSF: Science Fiction by African Writers and Unconventional Fantasy: Forty Years of World Fantasy

Twitter, or Instagram, is the best way to keep up with Mandisi, however, one is likely to be bombarded with links to his music, band performances, esoteric music as well as random politically incorrect banter and strong anti-establishment sentiments *I like – Try*. Follow at own risk as Mandisi is not to be held liable for any brain damage incurred. He also takes zero responsibility if offended.

14 Aug

ABOUT: Robyn-Jade Hosking

RJHRobyn-Jade Hosking was born in 1991 in Fish Hoek, a sleepy seaside suburb nestled in the Cape Peninsula, but spent most of her childhood and teenage years surrounded by the lush forests of Knysna after relocating to the Garden Route. She has since moved back to Cape Town and currently manages an art gallery in Muizenberg. She is studying Theory of Literature and Art History through Unisa.

Robyn-Jade has been writing poetry and songs since before she can remember, and has maintained a lifelong love affair with the English language. She has recently only started submitting her work to poetry competitions and publications. Her poetry explores a variety of themes including  human relationships, questions of identity and the mind’s capacity for escapism. Most of her more recent works focus on the relationship between self and surroundings. There is no revelation is a meditation on the relationship between sexuality and spirituality, reflecting that instances of enlightenment are not always explosive revelations, but can blossom gradually in the subtle moments of intimacy between lovers.

Poets that have inspired Robyn-Jade and influenced her work include T. S. Eliot, E. E. Cummings, Sylvia Plath and Peter Clarke. She is also greatly influenced by visual art and music and believes that all artistic disciplines go hand in hand. She is a compulsive lyricist and has collaborated with her sister singer-songwriter Maya-Rose Torrão on several songs, with more to come. She writes prose as well as poetry, and tries to find time to work on short stories between balancing work and studies. She also makes and sells collage earrings, paints and writes online book reviews to supplement her income.

 

Robyn-Jade’s poem “There is No Revelation” appears in The #Coinage Book One

21 Jun

ABOUT: Khalida Moosa

kmoosaKhalida is a stay-at-home mom who has little inclination for cooking, sewing or baking.  She is a wordsmith and loves the musicality and rhythm of the written word.  She is also an avid reader and enjoys sharing good reads.  Khalida currently hosts a community book club in the South of Johannesburg.

Her poem was inspired by a need to give voice to the words which have remained silent for too long.

Khalida is interested in narratives which defy social norms.  She is attracted to writers who break boundaries around issues which address gender inequality, sex and cultural stereotypes.

She has an obsession with collecting beautiful notebooks which remain ink unstained and instead accumulates bits of paper stringing thoughts into sentences.

When not reading, writing or gardening, Khalida enjoys spending time with her husband, two kids and much adored Scottish terrier.

You can connect with her on Twitter @rosybic

 

Khalida’s poem “Words Swallowed” appears in The #Coinage Book One

19 May

ABOUT: Indigene Corefio

Indigene CorefioIndigene is no stranger to the love of word, having fallen in love with poetry from her formative years when she found refuge and therapy in writing and the expression it afforded her. Her writing spans across the universal themes of love, existential angst, divine bliss, esoteric consciousness, social challenges, sexuality, and feminism.

In 2005, Indigene began performing her poetry in Tshwane.  She launched and hosted regular poetry and Hip Hop sessions at “Cherry Jam” in Hatfield which was a customary meeting place for like-minded music lovers and spoken word enthusiasts.

Indigene moved to back Johannesburg and joined the poetry collective “Likwid Tongue” in 2006 which hosted weekly poetry shows and writing workshops at various venues in Johannesburg, while collecting clothing for charity. She performed at the international poetry festival “Urban Voices” in 2007 alongside Sarah Jones and Steve Coleman where she distributed her EP “Nymphomaniac” featuring 3 poems accompanied by music that sought to create awareness around female sexuality.

In 2008 Indigene produced, directed, performed at and hosted a fundraising event called “Black Widow” for POWA at the Baseline in Newtown that weaved together theatre/drama, comedy, poetry, jazz, vocalists, beat boxers, DJ’s and pure funk!

In 2010 Indigene’s poetry was published in an international yoga and meditation journal “Constant Remembrance” published by Sahaj Marg and distributed worldwide.

Her work is also featured on www.cntrlaltsex.co.za, “a voluntary sex positive organisation whose mission is to normalise alternative sexuality and provide informed spaces for people to talk positively and openly about sex”.

Her poetry featured alongside Tumi Molekane and Flo in an insert produced for MTV Base commemorating Youth Day.

Her work “Visions Implode” is featured at the closing of a documentary produced by Khalo Matabane commemorating Women’s Day.

She is currently editing her book “Chasing Infinity” to be published in 2016.

She has performed her poetry on various mass media platforms such as Y-fm, Kaya fm, the Citizen, Soweto TV, MTV Base and 3 Talk with Noeleen on SABC 3.

She is now the Director of Trillionaire Ess, a social entrepreneurship company that develops socially conscious ventures in the areas of ICT, Art & Culture, Communications, Strategy, Research and Multimedia Content Development.

Her poem,  “I do what”, appears in The #Coinage Book One. Of it, she says “it was written about someone have strong feelings for despite many attempts not to; an unrequited love. What it depicts is two people propelled into a post-wedding scenario when they have essentially only sparingly interacted in an intimate setting prior to this encounter. So where one would imagine, because the two are married, they would know each other well,  the poem explores a lot of seemingly small gestures: eye contact, breathing, and gentle touching, more indicative of the awkward embraces of strangers.  The poem speaks of love as a choiceless surrender which is an important aspect of what it communicates. So often we dictate to love, or try to, by demarcating where and how it ought to find expression, but I find that love happens to you, it is not a conscious decision that one elects.

21 Apr

ABOUT: Melissa Van Hal

MvH

Melissa has faced many adversities in life. Her ambition to write started at a young age but the courage to publish her writing took several years. She enjoys writing both short stories and poems but has yet to embark upon a book.

Although, her peers encouraged and enjoyed reading her work she fought hard at school for her literary skills to be noticed but the label of being both dyslexic and ADHD were an on-going hurdle which, continued into her university years; despite achieving a Masters in History and an Honours in Psychology.

She has written papers for seminars and three theses at postgraduate level. She has been involved in educational writing since 2008. She has been a co-author to an educational book and written blogs for Pearson Education.  She also has several educational blogs which is she is currently trying to place under one site.

Her own difficulties at school developed an amazing gift of being able to relate to any child and to identify their individual strengths and potential. She currently works with children struggling in the school system and has had tremendous success. She has not published a creative work until now: It is with the inspiration of the children she works with that she decided to publish her first creative literary work.

Her poem, The Torn Soul, is featured in The #Coinage Book One; and this has inspired her to travel further down the road of creative literary works and she will be endeavouring to accomplish more published works in the near future. She intends to write works of an emotional nature to engage more deeply with her readers. Her works will also include inspirational and motivational pieces. She will continue with her educational writing as it is her dream to write a book to assist learners struggling in the school system.

She sees herself as a revolutionist and would like to be the change to encourage more people to achieve their true potential.

Find Melissa on: Eduhelp website,  Facebook and her new upcoming page.

 

 

27 Feb

ABOUT: Batia Efrat

Batia is a writer of many things, poetry being her favourite. Born to an artist mother, she found herself gifted with words at an early age. Her work explores both the thrills and fragility of the human condition – those murky spaces where few dare tread. Batia’s free style imbues her writing with poignant images that are riveting and personal.

A feminist and humanitarian at heart, Batia writes on society and politics at On the line and manages a Facebook platform called Don’t Flatter Yourself – a body-positive initiative which tackles beauty stigmas and standards in the media. Batia has a diploma in copywriting and, when she isn’t raising controversial issues, spends her time working on her music blog.

Batia’s allows the words to choose themselves, then breathe a little, before making changes – a routine she believes preserves the roughness and authenticity of her work. Batia’s poetry is intended as a performance of uncensored expression rather than as poised literature – and that’s exactly how she likes it. She feels artists can destroy a wonderful messiness in their work by over embellishing or ironing out too many kinks. Batia admits that her most memorable writings are the ones which she spent very little time correcting. “When it comes to writing poetry, my method is entirely different to when I write copy.”

Batia’s signature is her wonderful use of rhythm – a quality that comes naturally to her – and, though she has no overarching theory of it, Batia’s easy (or, if she wishes, jarring) cadence comes from an instinctive attention to words. As an author, Batia is less concerned with construction and diction than she is with the ebb and flow of a piece. “If it doesn’t sound right on the ear, it’s not working,” she says. “Poetry is meant to sing. It’s music for your mind.”

Batia’s poem Sunday renders late-capitalist modernity – and our lives in it – as tedious and grasping, evoking the sobering come-downs that follow the brief, hopeful (futile? desperate?) escapes we all ache for. Like most of Batia’s work, Sunday speaks of a frustrated pursuit of happiness and the futility (or unavoidability) of searching for fulfilment through recklessness and hedonism. Sunday is disillusioned, asking “is there nothing more to life than this?” – this plight of routine and the concealed desperation for exile and escape in a society which favours structure over freedom. Sunday tries to leave the reader feeling uneasy and isolated, and arrives at the disappointment which hides behind every elevation and ecstasy – it’s the promise that nothing good lasts forever.